Here's a few of the bands we've seen this year:
Flight Brigade

First up on the Friday evening, Flight Brigade are a Hampshire band. If you look up the Facebook page, the second track in the player, "When The Water Whispers", was the one that really stood out for me with its haunting violin arpeggio.
Dry the River

Harder edge to this London band (although the bassist is from Southampton ... never mind). Apparently they were suffering a bit from an after party the night before with Plan B but they still delivered with plenty of energy. I thought I could hear alot of Editors in there, which is no bad thing.
Stornoway with The North Sea Radio Orchestra

This was a lovely set but also educational, with beautifully crafted indie-folk interspersed with anecdotes about bizarre extreme sports like chessboxing and zorbing. Really lucky to see this as it's one of only two gigs supported by The North Sea Radio Orchestra, which for me just took the music to another level. There's a wit and melancholy to the vocals which made me think of Belle and Sebastian.
Ellen and the Escapades

The Saturday night kicked off with local band Doyle and the Fourfathers (who included a song about the age of austerity that gave libraries a mention!). They were followed by Ellen and the Escapades who delivered an acoustic set as their drummer couldn't be with them. Amazing vocals - Ellen has a great country voice. We their EP at the end because we wanted to hear what they sound like with drums and have to say it was well worth it.
The Travelling Band

It must have felt a bit weird for The Travelling band. A few weeks ago playing to thousands of people at Glastonbury and this week playing to at The Point to about a hundred people. But they gave a good performance. Again, it's a real shame the numbers aren't better - especially when you consider all the work that goes into organizing it and that all of the bands give it their all. I had a bit of a moment during this set when they did an acoustic arrangement of the Roses' Waterfall - which they dedicated to the ghost of Ian Brown :-)
The Leisure Society

The last act of the Saturday were The Leisure Society. The guy next to me had come all the way from Bedfordshire to see them and I don't think he was disappointed. You can just about see a lovely hollow bodied Gretsch in this picture (complete with Bigsby vibrato). One of my favourite guitars and you could hear the clean, crisp sound coming through.
At the end of the set the band came into the audience to do an encore. Which was lovely and just goes to show what a good opportunity this festival is - yes it's small but it gives you a chance to get close to the music that you don't get anywhere else. It's tough times and I guess councils all over are going to be cutting arts and culture - I really hope Eastleigh survives!






Radiohead's latest attack on the music indistry is to provide the source files or "stems" to their latest single "nude". I love the way that Radiohead are on top of the Web 2.0 thing and are working with it rather than trying to bury their heads in the sand. If the music industry goes open source and, perhaps more importantly, relaxes a bit in their pointless battle for control in the form of DRM, then I think there is a real potential for Web 2.0 to allow people to engage with music on a new level. Not in a passive, supplier-consumer relationship but in a more interactive and creative way. From a marketing perspective Radiohead really seem to "get" it. In Rainbows got massive coverage because it was touted as a "free" download - you were able to pay £0 to download the album (which I have to admit I did). However - the marketing worked on me - even though, in the words of Robert Palmer: I like to think that I'm immune to the stuff. Where was I? And more importantly, why am I quoting Robert Palmer? This has to be a new low. Oh yeah, marketing. What the album download did was to create a mailing list which has now been used to promote this latest venture. So, I've just found myself signing up to iTunes and forking out for these source files. Anyone who wrote off In Rainbows as a crazy stunt may be right but I've got a feeling it will come to be recognized as sort of evolutionary. It's not revolutionary because at the end of the day they are still making money off it but it is being done in a different way.